One might be tempted to think of the Deep Dark Woods as a band steeped in capital-T tradition, and that may be true, but
now nearly two decades into their life as one of Canada's finest folk-roots ensembles, that tradition is one of their own
invention. The voice of founding member Ryan Boldt sits at the forefront of the band, and it doesn't take long to reveal that
he is a master of subtlety and shading, working in the lineage of iconic singers like Bob Dylan, Bert Jansch, Rick Danko,
and Jason Molina. Boldt, a relentless lifelong listener of music, says “It's all I do. When I'm not playing music, I'm listening
to it, trying to find songs that make me feel an aching pain in my chest.” Accordingly, his singing is full of highly emotive
nuance and an elegant, relaxed precision that makes it seem downright effortless, a perfect vehicle for the band's
particular brand of updated folk music. Fellow travellers like keyboard whiz Geoff Hilhorst, veteran drummer Mike
Silverman, and Evan Cheadle round out the Deep Dark Woods unit, and they are often assisted by like-minded
collaborators such as singer-songwriter Ellen Froese, Erik Nielsen, Leon Power, and the acclaimed duo Kacy & Clayton.
This crew creates a powerful combination and has amassed a pile of celebrated albums, EPs, and a host of nominations
from music awards outfits from across the country. Together they recall classic units like The Band, mid-period Wilco, and
American Beauty-era Grateful Dead, but also legendary late '60s UK groups like Fairport Convention, Pentangle, and
Steeleye Span.
Which brings us to the Deep Dark Woods' latest album, Broadside Ballads, Vol.III. Intertwined amongst their albums of
original material, Deep Dark Woods has been steadily building up a series of releases called Broadside Ballads, focusing
on traditional Irish, English, and Scottish folk songs. It's a fitting tribute to the music that influenced Boldt's writing and
singing since first forming the band, and like their forebears, Deep Dark Woods aims to take their own experiences of
traditional music and create something new and vital. The songs in this collection mine some of the more brutal depths of
human experience, touching on broken hearts, love, murder, and the act of leaving. Boldt notes that “there are not too
many jolly songs in there”, but the album is not a dour affair, instead benefiting from tasteful, unstated arrangements and
an organic, no-frills recording sound. The songs on Vol.III generously display The Deep Dark Woods' deep-seated links to
the past while still sounding just like themselves.
A brand new album of original music recorded by David Parry (Loving, Alice Phoebe Lou) will be released on Victory Pool
throughout 2025 complimented by tours of the UK, Canada, and Europe